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Theme · Product

Beauty in the Handbag

The compact, the lipstick, the powder puff: how cosmetics left the dressing table and went out into the street.

For the nineteenth century, beauty was a private ritual performed at a dressing table behind a closed door. The 1920s put it in a handbag. The powder compact, small enough to open in public and mirrored inside, made touching up a visible, modern gesture, and visible color respectable at last.

Coty's Air-Spun powder, Maybelline's cake mascara, and Tangee's lipstick were built for that portability, sold as objects a woman carried and used in the open. The compact is the hinge on which cosmetics turn from something applied in secret to something worn in daylight, a shift the advertising documents in real time.

The arc across the decades
1917

Maybelline opens the eye

A cake of mascara named for the founder's sister democratizes the darkened lash.

Maybelline ›
1920s

The compact goes public

Coty's Air-Spun powder and the mirrored compact make touching up a modern, visible gesture.

Coty ›
1940s

Color you carry

Tangee sells the lipstick as a small, portable act of morale and identity.

Tangee ›
The houses
See it in the record
Tangee, 1935
Tangee1935 Screenland
Pond's, 1930
Pond's1930 Photoplay
Coty, 1934
Coty1934 Photoplay
Pond's, 1926
Pond's1926 Ladies' Home Journal
Pond's, 1923
Pond's1923 Ladies' Home Journal
Pond's, 1940
Pond's1940 Photoplay
Max Factor, 1951
Max Factor1951 Modern Screen
Tangee, 1944
Tangee1944 Photoplay

Real public-domain advertisements the engine identified for these houses. Click any page to read it at the Internet Archive.

Open these houses in the record →
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